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On the commentary track to the DVD “Drunken Master” with Jackie Chan martial arts movie expert Ric Meyers explained how he went from being a comic book journalist to writing exclusively about Kung Fu movies. According to Meyers he had been in a discussion with some friends about how Hollywood was not capable of making a decent superhero movie when they mentioned that the Hong Kong cinema was getting it right. To prove their point they took Meyers to a theater in Chinatown where an undubbed subtitled print of “Drunken Master” was playing along with a second martial arts movie. For some strange reason Meyers had never seen one of these movies before even though a few years earlier Kung Fu mania had swept America sending hundreds of dubbed Chinese and Japanese martial arts movies into theaters alongside the disaster, blaxploitation and other B movies popular in the early 70’s. ( To be fair, television had yet to dare to broadcast any dubbed foreign martial arts film and was even reluctant to air the tamer American chop socky movies like “Billy Jack” in prime time. ) Probably even stranger was the discussion of how Hollywood was treating the superhero genre in 1979 when the only one in theaters at the time was “Superman”, an decent depiction of the comic and a great movie. The era of truly awful superhero movies would not really begin until the release of “Superman III” in 1983. To that date Hollywood had only made three superhero feature films, “Superman” in 1978, “Batman” released in 1966 which was a continuation of the then popular campy television series with Adam West, and another Superman movie “Superman and the Mole Men” in 1951 which also served as the pilot for the George Reeves Superman series. Most of Meyers complaints would have been about superheroes depicted on television series. ...
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